Naomi Jacobson

View From The Bridge
"Naomi Jacobson is impressively in control as ever."
The Washington Post

"Outstanding, a sharp and emotionally affecting performance."
Potomac Stages

"Aching yet tough, bitter and sweet."
Arts & Entertainment

"Rock solid...Jacobson's comic timing is spot on."
DC Theatre Scene

"An incisive portrait of a determined woman."
Broadway Regional News & Review

Death of a Salesman
"Naomi Jacobson makes a full blooded character out of the sketchy role of Willy's Boston girlfriend."
Broadway Regional News & Review

"A splendid Naomi Jacobson in the climactic hotel memory scene."
Curtain Calls

The Unmentionables
"Naomi Jacobson in a keenly acidic performance ...a very funny compendium of every acquisitive, licentious and self dramatizing gesture we recognize as features of a peculiar brand of American solipsism...she seems to have stepped into Africa directly from the petites department of Nordstrom. Jacobson adroitly conveys something at once risible and monstrous: the cold hard core under Nancy's soft shell."
The Washington Post - Peter Marks

"Naomi Jacobson, the perennially versatile actress covers new comic ground with her brilliant obnoxious Nancy."
The Examiner

"Jacobson is a petite blond dynamo, ...her performance is a comic marvel."
The Baltimore Sun

"Jacobson delivers a bravura, tour-de-force, presto tempo performance."
DC Theatre Scene

Vigils
"There’s both a solidity and vulnerability in Jacobson’s personable Widow that at once make her feelings seem authentic and yet allow for the possibility that she’s on the brink of drowning in her delusions."
The Washington Post - Peter Marks

"Ms Jacobson shines...at times bitchy, funny and touching in her exploration."
Curtain Up

"Jacobson’s Widow is a creature of lightning mood shifts, smiles fading in mid-syllable, eyes brightening with hope even as she’s descending into an anxiety attack."
The City Paper - Bob Mondello

"Miss Jacobson's interactions with Mr. Shiffman are so hilariously abandoned that you alternately wince at the sight of them and applaud their nerve."
Washington Times

"Jacobson is a pure delight."
Potomac News

"Her acting effortlessly turns from riotous physical comedy to heartfelt sorrow."
DC Theatre Review

Raised in Captivity
"Jacobson gives a zero-to-60-in-one-second comic performance."
The Washington Post - Lloyd Rose

Patience
"Naomi Jacobson has a wickedly wayward way with brittle cocktail chatter, then breaks your heart without a word."
The City Paper - Bob Mondello

"Jacobson adds a welcome sensual charge to the proceedings."
The Washington Post - Peter Marks

The Psychic Life of Savages
"Naomi Jacobson plays (her) as a boozy sexpot, and it’s another one of Miss Jacobson’s beautifully nuanced, sharp yet vulnerable portrayals."
Metropolitan Times - Nelson Pressley

"Jacobson, whose performances get deeper and bolder every time she appears in a play, is a sexy shrugging Anne, brittle but also lazy, drifting rather than plunging toward her destruction."
The Washington Post - Lloyd Rose

Two Gentlemen of Verona
"Naomi Jacobson is a riot…a brassy gossip with a broad Jersey accent."
The Washington Post - Nelson Pressley

Big Love
"Jacobson is a veritable goddess of wrath. Have you ever seen Jacobson pull off a tantrum-ballet? ... don’t mess with an irate Jacobson."
Washington Post - Chip Crews

Kvetch
"There are some riotous sex scenes….and Jacobson is in her comic element."
The Washington Post - Lloyd Rose

"Jacobson makes his wife at once kittenish and sex-crazed, overflowing with a desire that seems to surprise her…”
The City Paper - Bob Mondello

A Hard Heart
"It is fascinating to watch Naomi Jacobson, one of Washington’s most fearless comic actresses in such an oratorio driven work."
The Washington Post - Pamela Sommers

"When Jacobson’s ramrod posture fails her in the second act…her collapse is harrowing."
The City Paper - Bob Mondello

Scenes From An Execution
"Jacobson’s spirit and humanity loosen the rigid corset of Galactia’s integrity and the production is better for it."
The Washington Post - Lloyd Rose

"The feral nature of Jacobson’s Galactia, (makes) her sexual aggression explosively immediate. Her love-making scenes are painfully real, at once passionate and hurtful, sexy and filled with contempt."
The City Paper - Bob Mondello

"Miss Jacobson is an unstoppable torrent of defiance and dissent as Galactia."
Metropolitan Times - Nelson Pressley

The Silent Woman
"And what pleasures are on display! Naomi Jacobson’s Madame Haughty is a poisonous bonbon packaged in blue-black and orange."
The City Paper - Trey Graham